Reviews: Rigoletto (Welsh National Opera, 2019)

In the eponymous role was as rich a bass-baritone as I have heard anywhere, emanating from the powerful diaphragm of Mark S. Doss.  He has the ability to project even his whispers, and at full pelt can make your seat vibrate with his mighty voice.

Robert Gainer, bachtrack (Read Full Article)

Mark S. Doss has a big bass-baritone which seems almost to reach out and grasp the audience, compelling them to share in Rigoletto’s trials and agonies.

Claire Seymour, Opera Today (Read Full Article)